‘…. Claudia Robles Angel’s performance, for example, used wires that connected her brain to a system of projected images and sounds. What the audience received was a combination of pre-chosen images as well as the way that Angel’s brain was processing and reacting to them in real time. The other performances had similar arrangements, but Angel’s was the most extreme: watching her, the body became a wired machine, producing cold sounds and abrupt visuals very unlike what we associate with the brain, or with human feelings… ” by Adela Yawitz Berlin Art Link
ENGLISH:
THE CREATORS (click here)
REUTERS (click here)
eContact! (interview) (click here)
DEUTSCH:
Innogy Stiftung (click here)
Le Flash (click here)
General Anzeiger Bonn (click here)
Neue Zeitschrift Für Musik: Gerardo Scheige (click here)
Kölner Stadt Anzeiger: Jürgen Kisters (click here)
ESPAÑOL:
RADIO UNAM – Testimonio de Oidas (Autorretrato sonoro) (click here)
FALLO DE SISTEMA (entrevista radio) (click here)
EL PEZ ELECTRICO: (entrevista)
OBJETIVO DIGITAL (entrevista)
UCV Valencia (click here)
FRANÇAIS
Annecy Culture (click here)
DUTCH:
by Nico Out (click here)
PUBLICATIONS
• -Robles-Angel, C.; Scherffig, L.; Birringer, J.; Seifert, U.; Schmidt, L.. Bio-medical Signals in Media Art ISEA 2017 Proceedings pages 720-29. ISBN 978-958-759-161-3.
• –ENERGIE WECHSEL –an artist in residence project curated by Dr. Uwe Rüth at the IK Foundation Flushing. 2016. ISBN 978-90-825344-05
• – Robles, C. 2015. Audiovisual: Perspectivas de una entidad indivisible. IDEAS SONICAS #14. CMMAS editor. pages 19 -23.
• – Zona de Convergencia at Museo de Arte Contemporáneo Bogotá. Online Catalogue ISSSUU
• – Robles, C. 2014. Audiovisual art: perspectives of an indivisible entity. CEC -eContact 15.4. This paper is available at: eContact15.4
• -Gernemann-Paulsen, A.; Robles Angel, C.; Seifert, U.; Schmidt, L.. Physical Computing and New Media Art – new challenges in events. 27. Tonmeistertagung, 2012, Proceedings (in print).
• -Robles, C. 2011. Creating Interactive Multimedia Works with Bio-data. NIME 2011 Proceeding Books ISSN: 2220 – 4792 / 2220 – 4806 /2220 -4814. This paper is available at: NIME2011
• -Robles, C. 2011. EEG Data in Interactive Art. This paper is available at: ISEA2011
• -Robles, C. 2011. The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples. BST-Body, Space and Technology Journal. VOL 10/01. Brunel University, UK (Online only) ISSN 1470-9120. BST Journal
• -Garavaglia, J., Robles, C. 2011. WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia Performance using Real-time Interaction. This paper is available at: ISEA2011
• -Robles, C. Biofeedback and Choreography. Performative Science and Beyond, Involving the Process in Research, Hans. H. Diebner editor, Springer Verlag, 2006. pages 146 – 147. ISBN 978- 3- 211-33357-0
• -Grond F and Robles C. INTERMITTENT – a Generative Audio-Visual Installation. Performative Science and Beyond, Involving Process in Research, Hans. H. Diebner editor,Springer Verlag, 2006. pages 128 – 131. ISBN 978- 3-211-33357-0
• –Audiovisuelle Komposition junger Künstler: Rudolf Frisius und Ludger Brümmer im Gespräch mit Damon Lee, Pei-Zu Shi und Claudia Robles. Rudolf Frisius (Hg.) Hören und Sehen—Musik audiovisuell, Edited by Institut für Neue Musik und Musikerziehung Darmstadt. Band 45, Mainz. 2005